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  1.  6
    Between Two Rivers and the Sea. Pisa’s Identity as a Port City in the Middle Ages.Karen Rose Mathews - 2023 - Convivium 10 (1):166-181.
    Water mattered in medieval Pisa. As it was not a natural port, Pisa had to protect, manage, and maintain its maritime landings and riverine passages to neutralize its Mediterranean competitors and ensure its prosperity. This paper addresses the three bodies of water and waterways most important to the Pisa - the Tyrrhenian Sea and the Auser and Arno rivers - and how architecture interfaced with hydrotopography. Architectural structures defined a unique visual culture in Pisa in practical, topographical, and symbolic ways. (...)
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  2.  35
    Heather Ecker, Caliphs and Kings: The Art and Influence of Islamic Spain. Selections from the Hispanic Society of America, New York. Washington, D.C.: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2004. Pp. xiv, 178; 89 color figures and many black-and-white figures. $35. Distributed by University of Washington Press, P.O. Box 50096, Seattle, WA 98145. [REVIEW]Karen Rose Mathews - 2006 - Speculum 81 (1):180-181.
  3.  10
    Sherry C. M. Lindquist, ed., The Meanings of Nudity in Medieval Art. Farnham, UK: Ashgate, 2012. Pp. xx, 354; 149 black-and-white figures and 8 color figures. $134.95. ISBN: 9781409422846. [REVIEW]Karen Rose Mathews - 2013 - Speculum 88 (4):1125-1127.
  4.  10
    Serafín Moralejo, Iconografía gallega de David y Salomón. Santiago de Compostella: N.p., 2004. Paper. Pp. 157; 47 black-and-white figures. [REVIEW]Karen Rose Mathews - 2006 - Speculum 81 (4):1231-1233.